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The details are in the contours: jazz performer Donald Harrison describing how Biggie learned to rap in the style of a bebop drum solo Big’s musician uncle Dave Wallace recalling a young Biggie’s dancehall awakening in scenes filmed in Trelawny, Jamaica his mom, Voletta Wallace, on how Biggie’s father abandoned them. A bulk of the film charts Biggie Smalls’ pre-fame trajectory, using rare archival footage and family interviews alongside maps of the rapper’s now-gentrified stomping grounds in Bed-Stuy, Brooklyn to emphasize how community shapes a child’s worldview.

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Biggie: I Got a Story to Tell dropped this past March, nearly 25 years after Biggie’s death, and yet the documentary offers something new: a distinctly localized view of how a legend popped beyond his street corners and even his own imagination. But often, the best way to illuminate a star is to glimpse back to the era before they became a giant. Not for the casual fan, Get Back is as good as content dumps get.Ĭountless films have contemplated the art and mystery behind the late Notorious B.I.G. You see Paul’s taskmaster energy, Ringo’s supreme goodness, George’s unmissable style, and John’s need to goof off, but most of all you get a sense of how they really interacted with one another at the worst of times. You see the origins of the ugly “Yoko broke up the Beatles” rumor in parts where Paul is clearly wounded by John not wanting to write together anymore, mixed with the reality that Yoko was probably just mounting a performance art project, and George was justified in quitting first. Across three parts totaling eight hours, the guy best known for making Lord of the Rings wades through Hogg’s original footage to show us that actually, the Beatles were still friends at the end. Peter Jackson’s Get Back is the largest piece since the sprawling Beatles Anthology project, both because it’s not filtered through the surviving members’ memories and because it essentially debunks a key document of the Beatles breakup lore: Michael Lindsay-Hogg’s rare, tense 1970 film on the sessions behind Let It Be, the final Beatles release, and the band’s last live performance. How it ended has always been of some fascination, and every decade or so there is some new piece of the Beatles puzzle revealed that brings us closer to the truth. The Beatles: Get Back / McCartney 3, 2, 1Īdmit it: the myth of the Beatles as the greatest band in the world was cemented by their breakup-they never had a chance to suck.













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